Aptly shown in the album artwork, Hammer of Hathor can hypnotize with their skeletal structures-- although there are elements beneath the simplicity that expand and change form. This is exemplified in the opener "Mt. Tabor": the single note repeated throughout, the altering tempo, and the stunning shift from the introduction to the conclusion-- it's krautrock down to a science, utilizing its influences in the best way possible. Hammer of Hathor have the ability to keep a listener wide-eyed, regardless of the duration or chasteness.
On the topic of possible comparisons, Neu!'s 1972 debut is a prevalent blueprint for Vroom-Psycho's pacing and structure, with the progressively jaw-dropping opener and the mind-bending rocker "Invincible Armour" being surrounded by minimal sonic experiments: the trombone duet "Alice & John," the disjointed guitar tangent "Air Pain," and the manipulated feedback excursion "For Guylene." Like Neu!, Vroom-Psychostartles the listener by counteracting the experiments with a brashly trudging jam session. All of these compositions are shrouded in a warm analog fidelity as well, handing Vroom-Psycho a vintage authenticity.
From its sparse ventures to its cascading explorations, Vroom-Psychopossesses a mesmerizing nature within its spacious arrangements. Usage of traditional instruments (guitar, drums, brass) deconstructed by various tape loops and effects equate to both a linear and confounding result. Hammer of Hathor justify that they're able to strike a chord, even six releases in and having done so much experimentation prior.
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